Hilma af Klint? Or Another Contender? Kandinsky, Untitled, Many painters today concentrate on producing abstract work — and a fair few of those have only ever produced abstract work. Comments 9 You can skip to the end and leave a response. Pinging is currently not allowed. Rodolfo Coliqueo says:. September 14, at am. September 14, at pm.
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Wordpress Hashcash needs javascript to work, but your browser has javascript disabled. Your comment will be queued in Akismet! We're hoping to rely on loyal readers, rather than erratic ads. IV no. Why is this also not generally considered a viable contender for the first abstract work? This distinction can seem very arbitrary, since many modern artists worked as commercial designers at times, and modern design is also often collected by art museums. Instead, we are seeking the first abstract artwork that was intentionally created in the context of the post-Renaissance Western art world , when fine art was expected to be representational.
Piet Mondrian, Tableau No. Piet Mondrian wrote extensive justifications of abstract art, demonstrating a clear awareness of how radical he felt the move to abstraction was for fine art. The work above is part of his series of abstracted trees: perhaps the two parallel vertical lines in the lower center are a trunk, and the oval frame defines the crown of the tree.
However, if we approached the work in a museum without that information, it would be easy to see it as abstract in the sense of entirely non-representational.
Should determining whether a work is abstract depend on its title or other extrinsic information? Vasily Kandinsky backdated this work to in the signature at the lower right , probably in order to claim that he was the first abstract artist — most art historians believe it dates to His text On the Spiritual in Art justifies abstraction in art as more spiritual than representation.
However he, like Mondrian, approached abstraction very gradually. Even this painting is ambiguously abstract. In many paintings the imagery is very difficult to recognize, but it is still there. Is abstraction in the eye of the beholder? In retrospect, the Russian painter, graphic artist and art theorist, who was born on December 4, in Moscow, was the founder of Abstract Expressionism and had a tremendous impact on the other artists of his day.
This painting was one of Kandinsky's earlier works and shares the name of his artists' group, The Blue Rider, which he founded with Franz Marc in Apparently, Marc loved horses and Kandinsky liked to paint riders. Since both liked the color blue, they quickly settled on the name. Kandinsky spent a lot of time in Murnau, in Bavaria, where he painted churches, villages and forests in brilliant colors. It's already clear that he was straying from realistic depictions.
For him, the emotional impression that colors left was more important. The internal world of human thoughts was fascinating to Kandinsky - more so than the external world. He looked for rules and structure in his work - which already existed for music in the form of notation. Borrowing from music, he named his works improvisations, impressions or compositions. Instruments and their sounds were depicted with colors.
Bright yellow stood for high trumpet tones. The new art form, in which colors and forms were liberated, irritated many conservative art lovers. At exhibitions, The Blue Rider art collective was spit on and insulted. Kandinsky's "Composition V" was even banned from an exhibition. Kandinsky liked to use primary colors like red, blue and yellow because he felt they calmed people. At the Bauhaus school in Weimar and Dessau, he developed color charts that were based on the theories of Wolfgang von Goethe, who had studied our perception of color and its psychological impact.
Wassily Kandinsky was a synesthete. Like some composers of his time, he dreamed of creating a "Gesamtkunstwerk" by combining music, art, dance and poetry. He made an attempt to synthesize various art forms with his stage play "Pictures at an Exhibition.
During his time at the Bauhaus school, Kandinsky's works were characterized by geometric forms. He changed his style while living in exile in Paris. In his later works, he created amorphous forms and shapes which appeared surrealistic.
But very few Paris galleries were willing to show his paintings. In exile, Kandinsky was no longer able to achieve the fame he'd enjoyed in Russia and Germany. In , Russian artist Wassily Kandinsky painted his first abstract watercolor.
It turned out to be a scandal. The early years of the 20th century were intense. Industrialization stirred expectations for everything to become faster, higher, further, and better. Science was releasing new discoveries practically every day.
Sigmund Freud published his theories about the human psyche. Roald Amundson reached the South Pole and Werner von Siemens made the first telegraph that could send 1, characters per minute.
What seemed impossible yesterday was already obsolete today. People began questioning reality due to modern technology. For artists like Kandinsky, depicting reality was no longer the aim.
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