Hamlet continues to denounce her and rail against Claudius, until, suddenly, the ghost of his father again appears before him. Hamlet speaks to the apparition, but Gertrude is unable to see it and believes him to be mad. The ghost intones that it has come to remind Hamlet of his purpose, that Hamlet has not yet killed Claudius and must achieve his revenge. Noting that Gertrude is amazed and unable to see him, the ghost asks Hamlet to intercede with her.
Hamlet describes the ghost, but Gertrude sees nothing, and in a moment the ghost disappears. Hamlet tries desperately to convince Gertrude that he is not mad but has merely feigned madness all along, and he urges her to forsake Claudius and regain her good conscience. He urges her as well not to reveal to Claudius that his madness has been an act.
Hamlet reminds his mother that he must sail to England with Rosencrantz and Guildenstern, whom he says he will regard with suspicion, as though they were poisonous snakes, since he assumes that their loyalties are with Claudius, not with him. What is Hamlet trying to do in his confrontation with his mother? Or it may be that Hamlet wants to know whether she was complicit in the crime.
Or he may feel that he needs her on his side if he is to achieve justice. In fact, it is impossible to say for certain whether or not Hamlet actually does go mad, and, if so, when his act becomes reality.
We have already seen that Hamlet, though thoughtful by nature, also has an excitable streak, which makes him erratic, nervous, and unpredictable. In Act I, scene v, as the ghost disappears, Hamlet seems to have too much nervous energy to deal competently with the curious Horatio and Marcellus.
The scene serves to develop the character of Polonius, who is one of the most intriguing figures in Hamlet. Polonius can be interpreted as either a doddering fool or as a cunning manipulator, and he has been portrayed onstage as both. Where did I leave? In his advice to Reynaldo, Polonius explicitly develops one of the themes of Hamlet, the idea that words can be used to bend and alter the truth.
As with Claudius, who manipulated the royal court with his speech in Act I, scene ii, words become a tool for influencing the minds of others and controlling their perception of the truth. Remember that Claudius killed King Hamlet by pouring poison into his ear. Shakespeare continually illustrates that words can function as poison in the ear as well. The running imagery of ears and hearing serves as an important symbol of the power of words to manipulate the truth.
During rehearsal, Hamlet and the actors plot to present Hamlet's play before the King and Queen. At the performance, Hamlet watches Claudius closely to see how he reacts. The play provokes Claudius, and he interrupts the action by storming out.
He immediately resolves to send Hamlet away. Hamlet is summoned by his distressed mother, Gertrude, and on the way, he happens upon Claudius kneeling and attempting to pray. Hamlet reasons that to kill the King now would only send his soul to heaven rather than hell. Hamlet decides to spare his life for the time being. Polonius hides in Gertrude's room to protect her from her unpredicatable son. When Hamlet arrives to scold his mother, her hears Polonius moving behind the arras a kind of tapestry.
He stabs the tapestry and, in so doing, kills Polonius. The ghost of Hamlet's father reappears and warns his son not to delay revenge or upset his mother. Hamlet is sent to England, supposedly as an ambassador, just as King Fortinbras of Norway crosses Denmark with an army to attack Poland. During his journey, Hamlet discovers Claudius has a plan to have him killed once he arrives. He returns to Denmark alone, sending his companions Rosencrantz and Guildenstern to their deaths in his place.
When Hamlet lifts the wallhanging and discovers Polonius' body, he tells the body that he had believed he was stabbing the King. He then turns his attention to punishing Gertrude. He presses contrasting pictures of Claudius and his brother in Gertrude's face.
He points out King Hamlet's godlike countenance and courage, likening Claudius to an infection in King Hamlet's ear. He accuses Gertrude of lustfulness, and she begs him to leave her alone. King Hamlet's Ghost reappears to Hamlet, but only Hamlet can see him. Hamlet believes that the Ghost has come to chide his tardy son into carrying out the "dread command," but Hamlet then perceives the Ghost as his mother's protector.
The Ghost tells his son to be kinder to her. Gertrude is utterly convinced now that her son is hallucinating from a devil-inspired madness, but Hamlet tells her that it is not madness that afflicts him. He begs her to confess her guilt to him and to heaven.
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